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Brown Penny by William Butler Yeats
I whispered, 'I am too young,' And then, 'I am old enough'; Wherefore I threw a penny To find out if I might love. 'Go and love, go and love, young man, If the lady be young and fair.' Ah, penny, brown penny, brown penny, I am looped in the loops of her hair.
O love is the crooked thing, There is nobody wise enough To find out all that is in it, For he would be thinking of love Till the stars had run away And the shadows eaten the moon. Ah, penny, brown penny, brown penny, One cannot begin it too soon.
Postcards by Margaret Atwood I'm thinking about you. What else can I say?
The palm trees on the reverse
are a delusion; so is the pink sand.
What we have are the usual
fractured coke bottles and the smell
of backed-up drains, too sweet,
like a mango on the verge
of rot, which we have also.
The air clear sweat, mosquitoes
& their tracks; birds & elusive.
Time comes in waves here, a sickness, one
day after the other rolling on;
I move up, it's called
awake, then down into the uneasy
nights but never
forward. The roosters crow
for hours before dawn, and a prodded
child howls & howls
on the pocked road to school.
In the hold with the baggage
there are two prisoners,
their heads shaved by bayonets, & ten crates
of queasy chicks. Each spring
there's race of cripples, from the store
to the church. This is the sort of junk
I carry with me; and a clipping
about democracy from the local paper.
Outside the window
they're building the damn hotel,
nail by nail, someone's
crumbling dream. A universe that includes you
can't be all bad, but
does it? At this distance
you're a mirage, a glossy image
fixed in the posture
of the last time I saw you.
Turn you over, there's the place
for the address. Wish you were
here. Love comes
in waves like the ocean, a sickness which goes on
& on, a hollow cave
in the head, filling & pounding, a kicked ear.
The Ivy Green by Charles Dickens
Oh, a dainty plant is the Ivy green, That creepeth o'er ruins old! Of right choice food are his meals, I ween, In his cell so lone and cold. The wall must be crumbled, the stone decayed, To pleasure his dainty whim: And the mouldering dust that years have made Is a merry meal for him. Creeping where no life is seen, A rare old plant is the Ivy green.
Fast he stealeth on, though he wears no wings, And a staunch old heart has he. How closely he twineth, how tight he clings To his friend the huge Oak Tree! And slyly he traileth along the ground, And his leaves he gently waves, As he joyously hugs and crawleth round The rich mould of dead men's graves. Creeping where grim death hath been, A rare old plant is the Ivy green.
Whole ages have fled and their works decayed, And nations have scattered been; But the stout old Ivy shall never fade, From its hale and hearty green. The brave old plant, in its lonely days, Shall fatten upon the past: For the stateliest building man can raise Is the Ivy's food at last. Creeping on where time has been, A rare old plant is the Ivy green
Envy and Avarice
by Victor Hugo
Envy and Avarice, one summer day,
Sauntering abroad
In quest of the abode
Of some poor wretch or fool who lived that way--
You--or myself, perhaps--I cannot say--
Along the road, scarce heeding where it tended,
Their way in sullen, sulky silence wended;
For, though twin sisters, these two charming creatures,
Rivals in hideousness of form and features,
Wasted no love between them as they went.
Pale Avarice,
With gloating eyes,
And back and shoulders almost double bent,
Was hugging close that fatal box
For which she's ever on the watch
Some glance to catch
Suspiciously directed to its locks;
And Envy, too, no doubt with silent winking
At her green, greedy orbs, no single minute
Withdrawn from it, was hard a-thinking
Of all the shining dollars in it.
The only words that Avarice could utter,
Her constant doom, in a low, frightened mutter,
"There's not enough, enough, yet in my store!"
While Envy, as she scanned the glittering sight,
Groaned as she gnashed her yellow teeth with spite,
"She's more than me, more, still forever more!"
Thus, each in her own fashion, as they wandered,
Upon the coffer's precious contents pondered,
When suddenly, to their surprise,
The God Desire stood before their eyes.
Desire, that courteous deity who grants
All wishes, prayers, and wants;
Said he to the two sisters: "Beauteous ladies,
As I'm a gentleman, my task and trade is
To be the slave of your behest--
Choose therefore at your own sweet will and pleasure,
Honors or treasure!
Or in one word, whatever you'd like best.
But, let us understand each other--she
Who speaks the first, her prayer shall certainly
Receive--the other, the same boon redoubled!"
Imagine how our amiable pair,
At this proposal, all so frank and fair,
Were mutually troubled!
Misers and enviers, of our human race,
Say, what would you have done in such a case?
Each of the sisters murmured, sad and low
"What boots it, oh, Desire, to me to have
Crowns, treasures, all the goods that heart can crave,
Or power divine bestow,
Since still another must have always more?"
So each, lest she should speak before
The other, hesitating slow and long
Till the god lost all patience, held her tongue.
He was enraged, in such a way,
To be kept waiting there all day,
With two such beauties in the public road;
Scarce able to be civil even,
He wished them both--well, not in heaven.
Envy at last the silence broke,
And smiling, with malignant sneer,
Upon her sister dear,
Who stood in expectation by,
Ever implacable and cruel, spoke
"I would be blinded of one eye!"
Southern Sunrise
by Sylvia Plath
Color of lemon, mango, peach,
These storybook villas
Still dream behind
Shutters, their balconies
Fine as hand-
Made lace, or a leaf-and-flower pen-sketch.
Tilting with the winds,
On arrowy stems,
Pineapple-barked,
A green crescent of palms
Sends up its forked
Firework of fronds.
A quartz-clear dawn
Inch by bright inch
Gilds all our Avenue,
And out of the blue drench
Of Angels' Bay
Rises the round red watermelon sun.
A Girl
by Ezra Pound
The tree has entered my hands,
The sap has ascended my arms,
The tree has grown in my breast--
Downward,
The branches grow out of me, like arms.
Tree you are,
Moss you are,
You are violets with wind above them.
A child -- so high -- you are,
And all this is folly to the world.
A Song at the End
by Jaroslav Seifert
Listen: about little Hendele.
She came back to me yesterday
and she was twenty-four already.
And as graceful as Shulamite.
She wore an ash-gray squirrel fur
and a pert little cap
and round her neck she'd tied a scarf
the colour of pale smoke.
Hendele, how well this suits you!
I thought that you were dead
and meanwhile you have grown more beautiful.
I am glad you’ve come!
How wrong you are, dear friend!
I've been dead twenty years,
and very well you know it.
I've only come to meet you
Prayer to Persephone
by Edna St. Vincent Millay
Be to her, Persephone,
All the things I might not be:
Take her head upon your knee.
She that was so proud and wild,
Flippant, arrogant and free,
She that had no need of me,
Is a little lonely child
Lost in Hell,—Persephone,
Take her head upon your knee:
Say to her, "My dear, my dear,
It is not so dreadful here."
First Fig
by Edna St. Vincent Millay
My candle burns at both ends;
It will not last the night;
But ah, my foes, and oh, my friends---
It gives a lovely light! The Spring and the Fall
by Edna St. Vincent Millay
In the spring of the year, in the spring of the year,
I walked the road beside my dear.
The trees were black where the bark was wet.
I see them yet, in the spring of the year.
He broke me a bough of the blossoming peach
That was out of the way and hard to reach.
In the fall of the year, in the fall of the year,
I walked the road beside my dear.
The rooks went up with a raucous trill.
I hear them still, in the fall of the year.
He laughed at all I dared to praise,
And broke my heart, in little ways.
Year be springing or year be falling,
The bark will drip and the birds be calling.
There's much that's fine to see and hear
In the spring of a year, in the fall of a year.
'Tis not love's going hurt my days.
But that it went in little ways.
Eulalie
by Edgar Allan Poe
I dwelt alone
In a world of moan,
And my soul was a stagnant tide,
Till the fair and gentle Eulalie became my blushing bride--
Till the yellow-haired young Eulalie became my smiling bride.
Ah, less--less bright
The stars of the night
Than the eyes of the radiant girl!
That the vapor can make
With the moon-tints of purple and pearl,
Can vie with the modest Eulalie's most unregarded curl-
Can compare with the bright-eyed Eulalie's most humble and careless curl.
Now Doubt--now Pain
Come never again,
For her soul gives me sigh for sigh,
And all day long
Shines, bright and strong,
Astarte within the sky,
While ever to her dear Eulalie upturns her matron eye--
While ever to her young Eulalie upturns her violet eye.
The Secret of the Sea
by Henry Wadsworth Longfellow
Ah! what pleasant visions haunt me
As I gaze upon the sea!
All the old romantic legends,
All my dreams, come back to me.
Sails of silk and ropes of sandal,
Such as gleam in ancient lore;
And the singing of the sailors,
And the answer from the shore!
Most of all, the Spanish ballad
Haunts me oft, and tarries long,
Of the noble Count Arnaldos
And the sailor's mystic song.
Like the long waves on a sea-beach,
Where the sand as silver shines,
With a soft, monotonous cadence,
Flow its unrhymed lyric lines:--
Telling how the Count Arnaldos,
With his hawk upon his hand,
Saw a fair and stately galley,
Steering onward to the land;--
How he heard the ancient helmsman
Chant a song so wild and clear,
That the sailing sea-bird slowly
Poised upon the mast to hear,
Till his soul was full of longing,
And he cried, with impulse strong,--
"Helmsman! for the love of heaven,
Teach me, too, that wondrous song!"
"Wouldst thou,"--so the helmsman answered,
"Learn the secret of the sea?
Only those who brave its dangers
Comprehend its mystery!"
In each sail that skims the horizon,
In each landward-blowing breeze,
I behold that stately galley,
Hear those mournful melodies;
Till my soul is full of longing
For the secret of the sea,
And the heart of the great ocean
Sends a thrilling pulse through me.
Marriage
by Gregory Corso
Should I get married? Should I be good?
Astound the girl next door with my velvet suit and faustus hood?
Don't take her to movies but to cemeteries
tell all about werewolf bathtubs and forked clarinets
then desire her and kiss her and all the preliminaries
and she going just so far and I understanding why
not getting angry saying You must feel! It's beautiful to feel!
Instead take her in my arms lean against an old crooked tombstone
and woo her the entire night the constellations in the sky-
When she introduces me to her parents
back straightened, hair finally combed, strangled by a tie,
should I sit with my knees together on their 3rd degree sofa
and not ask Where's the bathroom?
How else to feel other than I am,
often thinking Flash Gordon soap-
O how terrible it must be for a young man
seated before a family and the family thinking
We never saw him before! He wants our Mary Lou!
After tea and homemade cookies they ask What do you do for a living?
Should I tell them? Would they like me then?
Say All right get married, we're losing a daughter
but we're gaining a son-
And should I then ask Where's the bathroom?
O God, and the wedding! All her family and her friends
and only a handful of mine all scroungy and bearded
just wait to get at the drinks and food-
And the priest! he looking at me as if I masturbated
asking me Do you take this woman for your lawful wedded wife?
And I trembling what to say say Pie Glue!
I kiss the bride all those corny men slapping me on the back
She's all yours, boy! Ha-ha-ha!
And in their eyes you could see some obscene honeymoon going on-
Then all that absurd rice and clanky cans and shoes
Niagara Falls! Hordes of us! Husbands! Wives! Flowers! Chocolates!
All streaming into cozy hotels
All going to do the same thing tonight
The indifferent clerk he knowing what was going to happen
The lobby zombies they knowing what
The whistling elevator man he knowing
Everybody knowing! I'd almost be inclined not to do anything!
Stay up all night! Stare that hotel clerk in the eye!
Screaming: I deny honeymoon! I deny honeymoon!
running rampant into those almost climactic suites
yelling Radio belly! Cat shovel!
O I'd live in Niagara forever! in a dark cave beneath the Falls
I'd sit there the Mad Honeymooner
devising ways to break marriages, a scourge of bigamy
a saint of divorce-
But I should get married I should be good
How nice it'd be to come home to her
and sit by the fireplace and she in the kitchen
aproned young and lovely wanting my baby
and so happy about me she burns the roast beef
and comes crying to me and I get up from my big papa chair
saying Christmas teeth! Radiant brains! Apple deaf!
God what a husband I'd make! Yes, I should get married!
So much to do! Like sneaking into Mr Jones' house late at night
and cover his golf clubs with 1920 Norwegian books
Like hanging a picture of Rimbaud on the lawnmower
like pasting Tannu Tuva postage stamps all over the picket fence
like when Mrs Kindhead comes to collect for the Community Chest
grab her and tell her There are unfavorable omens in the sky!
And when the mayor comes to get my vote tell him
When are you going to stop people killing whales!
And when the milkman comes leave him a note in the bottle
Penguin dust, bring me penguin dust, I want penguin dust-
Yes if I should get married and it's Connecticut and snow
and she gives birth to a child and I am sleepless, worn,
up for nights, head bowed against a quiet window, the past behind me,
finding myself in the most common of situations a trembling man
knowledged with responsibility not twig-smear nor Roman coin soup-
O what would that be like!
Surely I'd give it for a nipple a rubber Tacitus
For a rattle a bag of broken Bach records
Tack Della Francesca all over its crib
Sew the Greek alphabet on its bib
And build for its playpen a roofless Parthenon
No, I doubt I'd be that kind of father
Not rural not snow no quiet window
but hot smelly tight New York City
seven flights up, roaches and rats in the walls
a fat Reichian wife screeching over potatoes Get a job!
And five nose running brats in love with Batman
And the neighbors all toothless and dry haired
like those hag masses of the 18th century
all wanting to come in and watch TV
The landlord wants his rent
Grocery store Blue Cross Gas & Electric Knights of Columbus
impossible to lie back and dream Telephone snow, ghost parking-
No! I should not get married! I should never get married!
But-imagine if I were married to a beautiful sophisticated woman
tall and pale wearing an elegant black dress and long black gloves
holding a cigarette holder in one hand and a highball in the other
and we lived high up in a penthouse with a huge window
from which we could see all of New York and even farther on clearer days
No, can't imagine myself married to that pleasant prison dream-
O but what about love? I forget love
not that I am incapable of love
It's just that I see love as odd as wearing shoes-
I never wanted to marry a girl who was like my mother
And Ingrid Bergman was always impossible
And there's maybe a girl now but she's already married
And I don't like men and-
But there's got to be somebody!
Because what if I'm 60 years old and not married,
all alone in a furnished room with pee stains on my underwear
and everybody else is married! All the universe married but me!
Ah, yet well I know that were a woman possible as I am possible
then marriage would be possible-
Like SHE in her lonely alien gaud waiting her Egyptian lover
so i wait-bereft of 2,000 years and the bath of life.
Into My Heart an Air That Kills
by A.E. Housman
Into my heart an air that kills
From yon far country blows:
What are those blue remembered hills,
What spires, what farms are those?
That is the land of lost content,
I see it shining plain,
The happy highways where I went
And cannot come again.
The Kiss
by Anne Sexton
My mouth blooms like a cut.
I've been wronged all year, tedious
nights, nothing but rough elbows in them
and delicate boxes of Kleenex calling crybaby
crybaby, you fool!
Before today my body was useless.
Now it's tearing at its square corners.
It's tearing old Mary's garments off, knot by knot
and see - Now it's shot full of these electric bolts.
Zing! A resurrection!
Once it was a boat, quite wooden
and with no business, no salt water under it
and in need of some paint. It was no more
than a group of boards. But you hoisted her, rigged her.
She's been elected.
My nerves are turned on. I hear them like
musical instruments. Where there was silence
the drums, the strings are incurably playing. You did this.
Pure genius at work. Darling, the composer has stepped
into fire.
River Roads
by Carl Sandburg
LET the crows go by hawking their caw and caw.
They have been swimming in midnights of coal mines somewhere.
Let 'em hawk their caw and caw.
Let the woodpecker drum and drum on a hickory stump.
He has been swimming in red and blue pools somewhere hundreds of years
And the blue has gone to his wings and the red has gone to his head.
Let his red head drum and drum.
Let the dark pools hold the birds in a looking-glass.
And if the pool wishes, let it shiver to the blur of many wings, old swimmers from old places.
Let the redwing streak a line of vermillion on the green wood lines.
And the mist along the river fix its purple in lines of a woman's shawl on lazy shoulders.
Wraith
by Edna St. Vincent Millay
"Thin Rain, whom are you haunting,
That you
haunt my door?"
--Surely it is not I she's wanting;
Someone living here before--
"Nobody's in the house but
me:
You may come in if you like and see."
Thin as thread, with exquisite fingers,--
Have
you seen her, any of you?--
Grey shawl, and leaning on the
wind,
And the garden showing through?
Glimmering eyes,--and silent, mostly,
Sort of
a whisper, sort of a purr,
Asking something, asking it over,
If you get a sound from her.--
Ever see her, any of you?--
Strangest thing
I've ever known,--
Every night since I moved in,
And I came to be alone.
"Thin Rain, hush with your knocking!
You may
not come in!
This is I that you hear rocking;
Nobody's with me, nor has been!"
Curious, how she tried the window,--
Odd, the
way she tries the door,--
Wonder just what sort of people
Could have had this house before . . .
Symphony In Yellow
by Oscar Wilde
An omnibus across the bridge
Crawls like a yellow butterfly,
And, here and there, a passer-by
Shows like a little restless midge.
Big barges full of yellow hay
Are moored against the shadowy wharf,
And, like a yellow silken scarf,
The thick fog hangs along the quay.
The yellow leaves begin to fade
And flutter from the Temple elms,
And at my feet the pale green Thames
Lies like a rod of rippled jade.
Lady Lazarus
by Sylvia Plath
I have done it again.
One year in every ten
I manage it----
A sort of walking miracle, my skin
Bright as a Nazi lampshade,
My right foot
A paperweight,
My face a featureless, fine
Jew linen.
Peel off the napkin
0 my enemy.
Do I terrify?----
The nose, the eye pits, the full set of teeth?
The sour breath
Will vanish in a day.
Soon, soon the flesh
The grave cave ate will be
At home on me
And I a smiling woman.
I am only thirty.
And like the cat I have nine times to die.
This is Number Three.
What a trash
To annihilate each decade.
What a million filaments.
The peanut-crunching crowd
Shoves in to see
Them unwrap me hand and foot
The big strip tease.
Gentlemen, ladies
These are my hands
My knees.
I may be skin and bone,
Nevertheless, I am the same, identical woman.
The first time it happened I was ten.
It was an accident.
The second time I meant
To last it out and not come back at all.
I rocked shut
As a seashell.
They had to call and call
And pick the worms off me like sticky pearls.
Dying
Is an art, like everything else,
I do it exceptionally well.
I do it so it feels like hell.
I do it so it feels real.
I guess you could say I've a call.
It's easy enough to do it in a cell.
It's easy enough to do it and stay put.
It's the theatrical
Comeback in broad day
To the same place, the same face, the same brute
Amused shout:
'A miracle!'
That knocks me out.
There is a charge
For the eying of my scars, there is a charge
For the hearing of my heart----
It really goes.
And there is a charge, a very large charge
For a word or a touch
Or a bit of blood
Or a piece of my hair or my clothes.
So, so, Herr Doktor.
So, Herr Enemy.
I am your opus,
I am your valuable,
The pure gold baby
That melts to a shriek.
I turn and burn.
Do not think I underestimate your great concern.
Ash, ash ---
You poke and stir.
Flesh, bone, there is nothing there----
A cake of soap,
A wedding ring,
A gold filling.
Herr God, Herr Lucifer
Beware
Beware.
Out of the ash
I rise with my red hair
And I eat men like air.
Evening Star
by Edgar Allan Poe
'Twas noontide of summer,
And mid-time of night;
And stars, in their orbits,
Shone pale, thro' the light
Of the brighter, cold moon,
'Mid planets her slaves,
Herself in the Heavens,
Her beam on the waves.
I gazed awhile
On her cold smile;
Too cold—too cold for me—
There pass'd, as a shroud,
A fleecy cloud,
And I turned away to thee,
Proud Evening Star,
In thy glory afar,
And dearer thy beam shall be;
For joy to my heart
Is the proud part
Thou bearest in Heaven at night,
And more I admire
Thy distant fire,
Than that colder, lowly light.
Ode to Melancholy
by John Keats
| NO, no, go not to Lethe, neither twist |
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| Wolfs-bane, tight-rooted, for its poisonous wine; |
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| Nor suffer thy pale forehead to be kiss'd |
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| By nightshade, ruby grape of Proserpine; |
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| Make not your rosary of yew-berries, |
|
| Nor let the beetle, nor the death-moth be |
|
| Your mournful Psyche, nor the downy owl |
|
| A partner in your sorrow's mysteries; |
|
| For shade to shade will come too drowsily, |
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| And drown the wakeful anguish of the soul. |
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| |
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2.
But when the melancholy fit shall fall |
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| Sudden from heaven like a weeping cloud, |
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| That fosters the droop-headed flowers all, |
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| And hides the green hill in an April shroud; |
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| Then glut thy sorrow on a morning rose, |
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| Or on the rainbow of the salt sand-wave, |
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| Or on the wealth of globed peonies; |
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| Or if thy mistress some rich anger shows, |
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| Emprison her soft hand, and let her rave, |
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| And feed deep, deep upon her peerless eyes. |
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| |
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3.
She dwells with Beauty--Beauty that must die; |
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| And Joy, whose hand is ever at his lips |
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| Bidding adieu; and aching Pleasure nigh, |
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| Turning to poison while the bee-mouth sips: |
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| Ay, in the very temple of Delight |
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| Veil'd Melancholy has her sovran shrine, |
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| Though seen of none save him whose strenuous tongue |
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| Can burst Joy's grape against his palate fine; |
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| His soul shall taste the sadness of her might, |
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| And be among her cloudy trophies hung. |
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| |
She Walks in Beauty
by George Gordon Lord Byron
She walks in Beauty, like the night
Of cloudless climes and starry skies;
And all that's best of dark and bright
Meet in her aspect and her eyes:
Thus mellowed to that tender light
Which Heaven to gaudy day denies.
One shade the more, one ray the less,
Had half impaired the nameless grace
Which waves in every raven tress,
Or softly lightens o'er her face;
Where thoughts serenely sweet express, How pure, how dear their dwelling-place.
And on that cheek, and o'er that brow,
So soft, so calm, yet eloquent,
The smiles that win, the tints that glow,
But tell of days in goodness spent,
A mind at peace with all below,
A heart whose love is innocent
Upon a Lilac Sea
by Emily Dickinson
Upon a Lilac Sea
To toss incessantly
His Plush Alarm
Who fleeing from the Spring
The Spring avenging fling
To Dooms of Balm
Emperor of Ice-Cream
Wallace Stevens
Call the roller of big cigars,
The muscular one, and bid him whip
In kitchen cups concupiscent curds.
Let the wenches dawdle in such dress
As they are used to wear, and let the boys
Bring flowers in last month's newspapers.
Let be be finale of seem.
The only emperor is the emperor of ice-cream.
Take from the dresser of deal,
Lacking the three glass knobs, that sheet
On which she embroidered fantails once
And spread it so as to cover her face.
If her horny feet protrude, they come
To show how cold she is, and dumb.
Let the lamp affix its beam.
The only emperor is the emperor of ice-cream
Fool
Sarah Cline
I thought love to be foolish
till a fool proved me wrong.
What a precious fool you are
to fall in love with me.
Fireflies in the Garden
Robert Frost
Here come real stars to fill the upper skies,
And here on earth come emulating flies,
That though they never equal stars in size,
(And they were never really stars at heart)
Achieve at times a very star-like start.
Only, of course, they can't sustain the part.
I Will Lie Down
May Swenson
I will lie down in autumn
let birds be flying
Swept into a hollow
by the wind
I'll wait for dying
I will lie inert unseen
my hair same-colored
with grass and leaves
Gather me
for the autumn fires
with the withered sheaves
I will sleep face down
in the burnt meadow
not hearing the sound of water
over stones
Trail over me cloud
and shadow
Let snow
hide the whiteness of my bones.
Grass
Carl Sandburg
Pile the bodies high at Austerlitz and Waterloo.
Shovel them under and let me work -
I am the grass; I cover all.
And pile them high at Gettysburg
And pile them high at Ypres and Verdun.
Shovel them under and let me work.
Two years, ten years, and passengers ask the conductor:
What place is this?
Where are we now?
I am the grass.
Let me work.
The Cafe
Leonard Cohen
The beauty of my table.
The cracked marble top.
A brown-haired girl ten tables away.
Come with me.
I want to talk.
I've taken a drug that makes me want to talk.
April Rain Song
Langston Hughes
Let the rain kiss you
Let the rain beat upon your head with silver liquid drops
Let the rain sing you a lullaby
The rain makes still pools on the sidewalk
The rain makes running pools in the gutter
The rain plays a little sleep song on our roof at night
And I love the rain.
Ode to the Plum Blossom
Lu Yu
Outside the post-house, beside the broken bridge, Alone, deserted, a flower blooms.
Saddened by her solitude in the falling dusk,
She is now assailed by wind and rain.
Let other flowers be envious!
She craves not Spring for herself alone.
Her petals may be ground in the mud,
But her fragrance will endure.
Daffodils
William Wordsworth
I WANDER'D lonely as a cloud
That floats on high o'er vales and hills,
When all at once I saw a crowd,
A host, of golden daffodils;
Beside the lake, beneath the trees,
Fluttering and dancing in the breeze.
Continuous as the stars that shine
And twinkle on the Milky Way,
They stretch'd in never-ending line
Along the margin of a bay:
Ten thousand saw I at a glance,
Tossing their heads in sprightly dance.
The waves beside them danced; but they
Out-did the sparkling waves in glee:
A poet could not but be gay,
In such a jocund company:
I gazed -- and gazed -- but little thought
What wealth the show to me had brought:
For oft, when on my couch I lie
In vacant or in pensive mood,
They flash upon that inward eye
Which is the bliss of solitude;
And then my heart with pleasure fills,
And dances with the daffodils.
We Real Cool
Gwendolyn Brooks
The Pool Players.
Seven at the Golden Shovel.
We real cool. We
Left school. We
Lurk late. We
Strike straight. We
Sing sin. We
Thin gin. We
Jazz June. We
Die soon.
Evangeline, A Tale of Arcadie*
Henry Wadsworth Longfellow
This is the forest primeval. The murmuring pines and the hemlocks,
Bearded with moss, and in garments green, indistinct in the twilight,
Stand like Druids of eld, with voices sad and prophetic,
Stand like harpers hoar, with beards that rest on their bosoms.*Due to the length of this poem I just posted the part that inspired me the most, the rest of the poem can be found HERE.
Perfect Day
Lou Reed
Just a perfect day,
Drink Sangria in the park,
And then later, when it gets dark,
We go home.
Just a perfect day,
Feed animals in the zoo
Then later, a movie, too,
And then home.
Oh it's such a perfect day,
I'm glad I spent it with you.
Oh such a perfect day,
You just keep me hanging on,
You just keep me hanging on.
Just a perfect day,
Problems all left alone,
Weekenders on our own.
It's such fun.
Just a perfect day,
You made me forget myself.
I thought I was someone else,
Someone good.
Oh it's such a perfect day,
I'm glad I spent it with you.
Oh such a perfect day,
You just keep me hanging on,
You just keep me hanging on.
You're going to reap just what you sow,
You're going to reap just what you sow,
You're going to reap just what you sow,
You're going to reap just what you sow...
Sea-Fever
by John Masefield
I must down to the seas again, to the lonely sea and the sky,
And all I ask is a tall ship and a star to steer her by,
And the wheel's kick and the wind's song and the white sail's shaking,
And a grey mist on the sea's face, and a grey dawn breaking.
I must down to the seas again, for the call of the running tide
Is a wild call and a clear call that may not be denied;
And all I ask is a windy day with the white clouds flying,
And the flung spray and the blown spume, and the sea-gulls crying.
I must down to the seas again, to the vagrant gypsy life,
To the gull's way and the whale's way where the wind's like a whetted knife;
And all I ask is a merry yarn from a laughing fellow-rover
And quiet sleep and a sweet dream when the long trick's over.
The Mermaid
by Alfred Lord Tennyson
Who would be
A mermaid fair,
Singing alone,
Combing her hair
Under the sea,
In a golden curl
With a comb of pearl,
On a throne?
I would be a mermaid fair;
I would sing to myself the whole of the day;
With a comb of pearl I would comb my hair;
And still as I comb'd I would sing and say,
'Who is it loves me? who loves not me?'
I would comb my hair till my ringlets would fall
Low adown, low adown,
From under my starry sea-bud crown
Low adown and around,
And I should look like a fountain of gold
Springing alone
With a shrill inner sound
Over the throne
In the midst of the hall;
Till that great sea-snake under the sea
From his coiled sleeps in the central deeps
Would slowly trail himself sevenfold
Round the hall where I sate, and look in at the gate
With his large calm eyes for the love of me.
And all the mermen under the sea
Would feel their immortality
Die in their hearts for the love of me.
But at night I would wander away, away,
I would fling on each side my low-flowing locks,
And lightly vault from the throne and play
With the mermen in and out of the rocks;
We would run to and fro, and hide and seek,
On the broad sea-wolds in the crimson shells,
Whose silvery spikes are nighest the sea.
But if any came near I would call and shriek,
And adown the steep like a wave I would leap
From the diamond-ledges that jut from the dells;
For I would not be kiss'd by all who would list
Of the bold merry mermen under the sea.
They would sue me, and woo me, and flatter me,
In the purple twilights under the sea;
But the king of them all would carry me,
Woo me, and win me, and marry me,
In the branching jaspers under the sea.
Then all the dry-pied things that be
In the hueless mosses under the sea
Would curl round my silver feet silently,
All looking up for the love of me.
And if I should carol aloud, from aloft
All things that are forked, and horned, and soft
Would lean out from the hollow sphere of the sea,
All looking down for the love of me.
Purple Cow
by Gelett Burgess
I never saw a Purple Cow,
I never hope to see one.
But I can tell you, anyhow,
I'd rather see than be one.
Reply (To The "Purple Cow")
by Gelett Burgess
Ah, yes, I wrote the "Purple Cow"--
I'm sorry, now, I wrote it!
But I can tell you anyhow,
I'll kill you if you quote it.
Kubla Khan or, A Vision in a Dream. A Fragment.
by Samuel Taylor Coleridge
In Xanadu did Kubla Khan
A stately pleasure-dome decree :
Where Alph, the sacred river, ran
Through caverns measureless to man
Down to a sunless sea.
So twice five miles of fertile ground
With walls and towers were girdled round :
And there were gardens bright with sinuous rills,
Where blossomed many an incense-bearing tree ;
And here were forests ancient as the hills,
Enfolding sunny spots of greenery.
But oh ! that deep romantic chasm which slanted
Down the green hill athwart a cedarn cover !
A savage place ! as holy and enchanted
As e'er beneath a waning moon was haunted
By woman wailing for her demon-lover !
And from this chasm, with ceaseless turmoil seething,
As if this earth in fast thick pants were breathing,
A mighty fountain momently was forced :
Amid whose swift half-intermitted burst
Huge fragments vaulted like rebounding hail,
Or chaffy grain beneath the thresher's flail :
And 'mid these dancing rocks at once and ever
It flung up momently the sacred river.
Five miles meandering with a mazy motion
Through wood and dale the sacred river ran,
Then reached the caverns measureless to man,
And sank in tumult to a lifeless ocean :
And 'mid this tumult Kubla heard from far
Ancestral voices prophesying war !
The shadow of the dome of pleasure
Floated midway on the waves ;
Where was heard the mingled measure
From the fountain and the caves.
It was a miracle of rare device,
A sunny pleasure-dome with caves of ice !
A damsel with a dulcimer
In a vision once I saw :
It was an Abyssinian maid,
And on her dulcimer she played,
Singing of Mount Abora.
Could I revive within me
Her symphony and song,
To such a deep delight 'twould win me,
That with music loud and long,
I would build that dome in air,
That sunny dome ! those caves of ice !
And all who heard should see them there,
And all should cry, Beware ! Beware !
His flashing eyes, his floating hair !
Weave a circle round him thrice,
And close your eyes with holy dread,
For he on honey-dew hath fed,
And drunk the milk of Paradise.
With Rue My Heart Is Laden
by A.E. Housman
With rue my heart is laden
For golden friends I had,
For many a rose-lipt maiden
And many a lightfoot lad.
By brooks too broad for leaping
The lightfoot boys are laid;
The rose-lipt girls are sleeping
In fields where roses fade.
Annabel Lee
by Edgar Allan Poe
It was many and many a year ago,
In a kingdom by the sea,
That a maiden there lived whom you may know
By the name of ANNABEL LEE;
And this maiden she lived with no other thought
Than to love and be loved by me.
I was a child and she was a child,
In this kingdom by the sea;
But we loved with a love that was more than love-
I and my Annabel Lee;
With a love th
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